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Ikilem Keeps
Being the Center of Attention
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| Cagri
Berk and Ali Barkin in the film. |
ÖMER
F. ÖZEN
Basak Buyukcelen's
film 'Ikilem' was produced and premiered last year
in Vancouver, Canada. Shortly afterwards it received Best
Short Film award at II. Montreal Turkish Film Week,
organized by Bizim Anadolu, and Best
Student Film award at recent International Ion Film
Festival. The film continues drawing attention.
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| The
Film of Extremes as Basak Buyukcelen calls it, Ikilem, Keeps
Receiving Local and International Attention. |
We had a chance
to interview Basak Buyukcelen:
- Can you tell us about the adventures of Ikilem after the
premiere in Vancouver and the award in Montreal?
- Right after
arriving in Turkey I was interviewed by Hurriyet Newspaper.
The article brought the idea of screening the film in Turkey.
It premiered at Kargart, a popular alternative culture
and art venue in Istanbul.
Subsequently,
'Ikilem' appeared in the official selection list
of Directors Circle Festival of Shorts, a popular
festival of filmmakers. The film was amongst 70 films selected out
of more than 3000 entries.
As
'Ikilem' started receiving more recognition, some
universities proposed to use it for education purposes. I was invited
to lectures and witnessed how well it was received by both undergraduate
and graduate students. On one of these lectures a student came forward
and said: "I enjoyed your film not only because I loved
it cinematically but also because I found it parallel to what I
am learning in my classes; full of sociological ascertainment, hand
in hand with the theoretical knowledge I am receiving." This
statement made me really happy about what I achieved with my film.
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Başak
Büyükçelen, on the right, is with Nancy Bishop, the editorial
director of Venice Magazine and the
head of the Jury, at the closing ceremony of
the ION International Film Festival.
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Recently
'Ikilem' won 'Best Student Film Award' at
Ion International Film Festival. At the award ceremony
Nancy Bishop, the head of the Jury, told me that 'Ikilem'
would receive a lot of international attention, especially in the
States and I would receive support for my next film.
Then there was
an article in Hurriyet Daily News, naming 'Ikilem'
the most popular film of the festival and an interview in Aksam
Newspaper about the film and its production process. Few
days ago TRT Haber Channel invited me for an interview
for their cinema program: 'Ve Sinema!'.
- How
was your film received after the Kargart and other screenings? Were
there any specific scenes the audience showed reaction to?
- 'Ikilem'
not only was found interesting in its content and making
process but the audience was very intrigued by its closing scene.
I left the film's ending to viewers' imagination and this created
a variety of interpretations and discussions among the audience.
One of the most
interesting interpretation was by T24 writer, dear
Prof. Yusuf Eradam: "The symbol of desire: red colored
scarf, covering up the legs of the other woman, covers the head
of the first woman is the visual and symbolic declaration that a
woman's virtue is not in-between her legs but inside her head."
According to Prof. Eradam, "Ikilem implicates
the immolation of a woman in the hands of a dogmatic man, but it
doesn't waste the woman immediately. Instead it leaves the ending
open to the audience, while it summarizes the men's obsession of
sexually virtuous woman by red color's symbolism, the knife, the
perineum, the skin and the open head."
***
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'In
Ikilem, Gafur- a religious man, runs into his
wife's identical twin -a prostitute- and interprets this incident
as a sign of God and tries to convince the woman into choosing
'God's way'; while he experiences confusion and dilemma
with the presence of other lives. Will Gafur be able to pull
the prostitute to the 'right path' or will his God
leave him alone in the 'world of sins'? What about
his wife who looks like the prostitute?!?'
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***
- Were
there any opinions regarding the length of the film; long or short?
- Viewers often
mention that the film is too short and they would like to see it
as a full feature film.
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| Cagri
Berk and Ali Barkin in the film. |
- You
know most of the time when we come across a character that contradicts
to what we believe and bother us in fictional / artwork; instead
of discussing it, we prefer to cover it up. Therefore we prefer
this kind of fictional work not be seen by others, especially foreigners.
Thus we claim this kind of artwork distorts Turkey / Turkish people
/ a group of believers / beliefs. Did such approach happen regarding
your film?
- There was
an interesting discussion about this at the Q&A session of the
Vancouver's premiere. Although some members of the audience commented
that I distorted Islam or presented a wrong picture of Turkey to
foreign eyes, the film received overwhelming support from Turkish
audience. So far the film could reach only festivals' audience,
who were prepared to see it as a piece of artwork. Once the film
reaches broader audience, there will probably be more extreme generalizations.
-
Are there new film projects coming up? What are your plans for the
future?
- Of course...
My new project is about an extremely religious and traditional woman
and her acquaintance to the modern world, which resulted in her
self-rediscovery. In order to research and create a base for the
new script I made trips to rural areas of West Anatolia to document
life of local women, their views and role in society. I am planning
to have this new film finished in 2011.
Using this opportunity
I would like to send my love and regards to members of Turkish
Canadian Society and Turkish community in Canada for their
support and warm welcome.
"Ikilem/Dilemma"
Director, Writer, Producer: Basak Buyukcelen
Digital/2010
Actors: Cagri Berk, Ali Barkin
www.dilemmamovie.com
www.basakb.com
January 2011
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